Though the ancient palaces and structures may remain, much of what they held is no longer on site, or even in the country. Spirited away over the past 200 odd years, many of the region’s most famous artifacts are in the West, torn from their historical and spatial context through acts of Elginism. The term — defined as cultural vandalism — was coined after the Earl of Elgin, who removed the Parthenon Marbles from Athens in the early 18th century to decorate his house in Scotland.
At the Louvre in Paris recently, I was taken aback by a huge Phoenician sarcophagus discovered in Sidon, far more imposing than any on display in Lebanon. It would be one of the centerpieces of the National Museum in Beirut, but instead is tucked into an underground gallery in one of the largest museums in the world.
I became only more indignant entering a gallery devoted to Palmyra, which shamed those in Tadmur or in Damascus. And then there was the Achaemenid exhibit containing sculptures taken from Persepolis. Why should I travel to Paris, London and numerous museums in the United States to see what should rightfully be shown in Persepolis, Palmyra or Sidon?
While I appreciate that millions of people have been able to admire the wonders of the ancient Middle East at these museums and that artifacts have been kept in safe conditions, there is a strong argument for the repatriation of relics.
Near perfect copies can be made if museums want to maintain their permanent collections or borrow items, a widespread practice. The idea that the region cannot look after its heritage properly is without merit and reeks of paternalism.
After all, the Lebanese National Museum managed to protect its collection throughout the civil war, while Syria, Egypt and Iran have all overhauled their museums. Indeed, one of the worst cases of cultural barbarism in modern history was instigated by the US-led invasion of Iraq, when the occupation forces failed to prevent the looting of what was perhaps the most significant collection of antiquities in the world at National Museum of Baghdad. There is growing momentum for artifacts to be returned to their roots, though this has been hindered by a well-meaning 1970 UNESCO convention calling for the restitution of antiquities and works of arts, but only for objects taken to other countries before that date.
The convention is one obstacle stopping the Rosetta stone, held by the British Museum for more than 200 years, or the 3,400-year-old bust of Queen Nefertiti at the Neues Museum in Berlin, from being returned to Egypt. While Lebanon has no official position on this matter, Syria, Iraq, Libya and Egypt are calling for the return of their cultural artifacts. In April, Cairo hosted a conference of 25 “countries that have suffered from theft,” as the outspoken head of Egypt’s Supreme Council of Antiquities, Zahi Hawass, put it.
“We will make life miserable for museums that refuse to repatriate,” said Hawass at the conference.
His threats have worked in the past. Last year Egypt broke off relations with the Louvre until steles stolen from a tomb in the Valley of the Kings in the 1980s were returned. Further arm-twisting came when Hawass threatened to ban French scholars from excavating in Egypt. The Louvre then capitulated.
But there are few precedents of Elginism being reversed — most pointedly exemplified by Greece’s as-yet unsuccessful 30 years spent lobbying Britain to return the “Elgin Marbles.” As Hawass suggested, cooperation between the aggrieved countries is needed to make threats effective, with countries putting together “wish lists” of what they want returned.
These wish lists deserve broad international support to allow the artifacts of human history to be seen in their proper context, rather than in foreign museums thousands of kilometers away.
PAUL COCHRANE is the Middle East correspondent for International News Services
1 comment:
I agree with the view you expressed that these stolen/looted objects should finally return to their countries of origin. I however do not share the view that the 1970 UNESCO Convention "is one obstacle stopping the Rosetta stone, held by the British Museum for more than 200 years, or the 3,400-year-old bust of Queen Nefertiti at the Neues Museum in Berlin, from being returned to Egypt". It is true that the Convention of 1970 is not retroactive and to that extent, may be considered as not providing a clear basis for direct restitution. However, there is nothing in the Convention that prevents holding-States from returning these cultural artefacts. It is in no way against the Convention to return these objects if holders are willing to return them. No State will be considered as being in violation of the Convention by returning cultural property. On the contrary, the Convention encourages holders to enter into negotiations for returning objects taken before its entry into force. The Convention provides in its article 15 as follows:
“Nothing in this Convention shall prevent States Parties thereto from concluding special agreements among themselves or from continuing to implement agreements already concluded regarding the restitution of cultural property removed, whatever the reason, from its territory of origin, before the entry into force of this Convention for the States concerned".
It is therefore clear that the Convention does not constitute an obstacle to restitution. Moreover, the ICOM Code of Ethics requires that museums enter into direct discussions with countries of origin of arftefacts with a view to their eventual return: Article 4.4 of the Code of Ethics provides as follows:
“In response to requests for the return of cultural property to the country or people of origin, museums should be prepared to initiate dialogues with an open-minded attitude based on scientific and professional principles (in preference to action at a governmental or political level). In addition the possibility of developing bilateral or multilateral partnerships with museums in countries that have lost a significant part of their cultural or natural heritage should be explored”.
You should not be misled by interpretations from countries that never really cared for legality or legitimacy when they were stealing, looting or transporting cultural artefacts of others. These States become suddenly very legalistic when the issue of restitution is raised, conveniently forgetting their own aggressive and illegitimate action in depriving others of their cultural property. Ironically, many of those States seeking shelter from legal action by pleading the Convention took more that thirty years before ratifying it.
These States are not worried that by the continuous withholding of the cultural artefacts of others, they are violating their human right to develop freely their own cultures, including the determination of their location.
Our present age does not accept imperialist and colonial actions such as those that enabled the wholesale transfer of thousands of cultural objects from Africa, Asia and America, some of the objects weighing tons.
Readers may wish to look at some of my articles appearing at www.afrikanet.info www.modernghana.com
www.museum-security.org
Dr.Kwame Opoku.
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